Friday, October 5, 2012

A SEPARATION



The film from the audience visited Iran six months ago after lifting the Oscar for the category 'Best Foreign Language Film', could be gempitanya bells will be felt. At that time, social networking busy talking about this movie. I am very forced to watch film made by Asghar Farhadi's through the laptop screen because pessimistic A Separation will visit Indonesia. If you read my post entitled '20 Best Film 2011 Version Cinetariz ', of knowing that the film is perched in first place. When a few days ago it was announced that A Separation up running, I was willing to travel overland for long hours in order to feel again satisfying cinematic experience for 2 hours on the big screen. You may be wondering, "how to segitunya for a movie?", But believe me, this film is well worth to be watched more than once. And if you call yourself a 'movie buff', 'movie freak', or whatever it's called, but it still has not seen A Separation until now, well ... What have you done to pass this seapik movie? A very big loss.

Is at the root of all conflict in A Separation is a divorce from Nader (Peyman Moaadi) and Simin (Leila Hatami). Farhadi's fifth straight to open the film with a rising tension over a fierce debate between Simin, Nader, and the sound of a camera represented judges opinion as if the audience is the judge, or sitting next to the judge. The two main characters giving stare. Simin Nader filed for divorce due to 'unwilling' invited Simin wants to leave Iran while their only daughter, Termeh (Sarina Farhadi), living in a healthy environment. Nader argued not want to leave his father who suffered from Alzheimer's disease. The judge also refused to grant the request Simin. The split took place, Simin bringing stuff home to her parents while living threes with Termeh Nader and his father. With the departure of his wife, then Nader also need someone to help care for his father. On the advice of Simin, Nader employs Razieh (Sareh Bayat). Less than three working days, Razieh has made the problem. Razieh went to see the doctor and left him in his room Nader bound. Nader knows this, he was furious. His anger was becoming unstoppable when knowing the money in the drawer rooms vanished participate.

Asghar Farhadi A Separation proves through, not necessarily the theme of a large, ambitious, and complicated to produce a film that can leave a lasting impression in the hearts of the audience. The issues here Farhadi shelled by not moving away from the common problems faced by the people of Tehran which may happen in other parts of the world. With this kind of the real picture, the audience so much easier to connect with what was to be presented by Farhadi. The main problem of the dozens of layers of issues highlighted through A Separation rooted in the selfishness of man. How does a divorce apparently a significant impact in the various lines of life of a family, or in this case two families. Termeh not be the only victim of divorce Simin and Nader. Divorce seemed to be the key to unlocking of a door that holds a stack of problems in your life. Simin, Nader, and Termeh hair had fallen still hit the stairs anyway. Various trials of life come and go incessantly post Simin decided to split up with her husband. Is this some kind of gift from God to His creatures who hated his deeds?

Manuscript concoction Farhadi extraordinary meeting. The audience is left struggling to follow the story line that extends all 123 minutes without for a moment left to breathe. Exhausting yes, but fun. Moreover, the audience is required to participate as long as the movie progresses. Farhadi not the kind of director who gives the audience an answer for any problem faced by each character. We are asked to solve it yourself. Just like a trial, the audience is in a position to judge or jury. Nader and Razieh is a defense attorney and prosecutor, to themselves. Simin, Termeh and Hodjat (Shahab Hosseini), Razieh husband whose temperament, as a witness. Each character is in a position of gray, Farhadi did not defend any of them, and submit entirely to us to determine who is at fault?


When the conflict between Nader and Razieh first time sticking, I'm pretty sure Razieh blame. He was careless in fulfilling its obligations as a nurse. But over the film, especially after knowing that Razieh was pregnant, the severity of his home life with Hodjat, and he was a religious, then I do not know to whom I should side with. My trepidation comes along with doubts arising from any character. Do I have to blame Hodjat and Simin who indirectly owns a large share of all these problems? Evidence for evidence emerged through intense conversations between the characters. The audience must concentrate to obtain the desired answer. At this stage, I also had to hand a Asghar Farhadi. Not something that amazes the judges gave Oscar nomination for Best Original Screenplay 'for the movie. Imagine, just to capitalize conflict arguably cliched and garrulous dialogue, A Separation could make me sit tight and tense throughout the film. Fuh, really brilliant.

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